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Gino Lucchetti
“High notes so natural and gorgeous that no one should mess with them.”
- legendary soprano Jane Eaglen
“Lucchetti again showed himself to be a better singer than some I have encountered on the most famous operatic stages in the world. The voice is attractive in timbre, and beautifully produced throughout its range.”
-Bernard Jacobsen (Referring to his role as Manrico)
“The star, and the outstanding figure by a long way, was the tenor Gino Lucchetti as Rodolfo… his voice rang out at once commandingly and with ample nuance when that was required, and he portrayed this rather feckless poet as a thoroughly likable figure. Even when he was not singing, his attentive way of watching his Mimì and responding to her was an object-lesson in intelligent stage deportment.”
-Bernard Jacobsen (On Rodolfo)
Upcoming Appearances
Seattle Opera
- Listen now: Charlie Parker's Yardbird podcast January 27, 2020Left: The real jazz legend Charlie Parker, one of the most popular performing artists in music following World War II. Right: Joshua Stewart, one of the Charlie Parkers who stars in SA new opera that combines jazz and classical music? Seattle Opera Dramaturg Jonathan Dean describes Charlie Parker’s Yardbird as a piece about "music, creativity, race and […]
- The Music of Charlie Parker’s Yardbird January 25, 2020Opera isn’t a musical style; it’s what you get when you multiply music by drama, or drama by music. (Which partner dominates? The tug-of-war between the words and the notes has been going back and forth for 400+ years.) Opera can feature lots of different musical styles, genres, and languages. An opera like Porgy and […]
- Saxophonist James Carter Talks About Charlie “Yardbird” Parker January 23, 2020Photo credit © Vincent Soyez“You have to be totally comfortable wherever,” Jazz saxophonist James Carter says. “I feel that music equals life, that’s the way my teacher always taught me. You just can’t go through life and experience it fully with a set of blinders on. I think there’s tremendous beauty in cross-pollinations of music […]
- Praise for Eugene Onegin January 17, 2020Act III of Eugene Onegin. Photo by Philip Newton.“Esteemed for its gorgeous score, potent emotion and compelling arias, the work receives a sumptuous, expertly performed Seattle Opera production.” —Crosscut“The production looked spectacular. The scenic, lighting, and costume designers had everything on the stage looking as perfect as can be. The country setting to start the […]
- Bird Lives: A letter from the librettist January 17, 2020.letter.pullquote{ background: #09040b url("https://1.bp.blogspot.com/-3N1vRxlhQyo/Xh-UfyekdJI/AAAAAAAADOA/0AAIq5JGr94xL_O1KTPLymGd2V4OEgg_ACLcBGAsYHQ/s1600/thumbnail_yardbird_2017_950.jpg") left center no-repeat; background-size:contain; width:70%; margin: 40px auto; } .letter.pullquote p{ margin-left:50%; padding:30px 40px; font-size:118%; color:#ffffff; } .letter.pullquote p.fineprint{ font-size:65%; } @media screen and (max-width: 1250px){ .letter.pullquote{ width:100%; } } @media screen and (max-width: 990px){ .letter.pullquote{ background-position:top left; } .letter.pullquote p{ margin-left:0; padding:85% 23px 40px; } .letter.pullquote p.fineprint{ padding-top:0; } } […]
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